What we are you will become a parasite absorbing souls we'll suck your c**ture brains energy and plant your genes to our collective being Do not fight against us Resistance is futile And you will be a**imilated with Blitzkrieg Come to us Do not fight against us Resistance is futile We are Laibach And you will be a**imilated Blitzkrieg Slovania Lyrics: Hej Slovani, nasa rec / Slovanska zivo klije / These words are for those who died / These words are for those left behind / These words are for you, Poland / And these ones for my Laibach Vaticanae Lyrics. Vaticanae lyrics performed by Laibach: Roma immortale di Martiri e di Santi, Roma immortale accogli i nostri canti: Gloria nei cieli a Dio nostro Signore, Pace ai Fedeli, di Cristo nell'amore. I, me, mine, I, me, mine
I, me, mine, I, me, mine
I, me, mine, I, me, mine
Mine
All through the day, I, me, mine
I, me, mine, I me mine
All through One world and they smashed it down. The dogs of war don't negotiate. The dogs of war won't capitulate. They will take and you will give. And you must die so that they may live. You can knock at nonton film scarlet innocence kdrama full movie sub indo. Eurovision Lyrics[Verse 1]There are crowds in the streetsThey are crying to be heardThere are crowds in the streetsThey are crying to be heardI hear echoes of voicesI hear echoes of voices[Bridge 1]They are trying so hardBut the ears are kept shutTrying so hardBut the ears are kept shutTrying so hardBut the ears are kept shut[Verse 2]I see millions of handsThey are raised to the skyI see millions of handsThey are raised to the skyI see visions of outrageI see visions of outrage[Bridge 2]They are trying so hardBut the eyes are kept shutTrying so hardBut the eyes are kept shutTrying so hardBut the eyes are kept shut[Chorus]Europe is falling apartEurope is falling apartEurope is falling apartEurope is falling apartEurope is fallingApart[Verse 3]In the absence of warWe are questioning peaceIn the absence of GodWe all pray to policeOceans of peopleOceans of soulsOceans of peopleOceans of souls[Bridge 3]They are trying so hardBut the minds are kept shutTrying so hardBut the minds are kept shutTrying so hardBut the minds are kept shut[Chorus]Europe is falling apartEurope is falling apartEurope is falling apartEurope is falling apartEurope is falling Laibach is an industrial group whose members prefer to be known as a collective rather than reveal individual names; they've been seen as fascists and of practicing Germanophilia because of their music's Wagnerian thunder and their military attire. According to Laibach, "We are fascists as much as Hitler was a painter." Since fascism needs a scapegoat to flourish, the members of Laibach mocked it by becoming their own scapegoat and willingly sought alienation. Showing a ridiculous lust for authority, Laibach's releases featured artwork influenced by anti-Nazi photomontage artist John Heartfield, and the group's live shows portray rock concerts as absurd political rallies. In interviews their answers are wry manifestos, and they never break /br /Formed the same year longtime Yugoslavian leader Marshall Josip Broz Tito died, Laibach started activity in 1980 in the industrial coal-mining town of Trbovlje in the center of what is now Slovenia. They took their name from the nearby city Ljubljana's title during Nazi occupation. Their first performance was canceled by authorities for their controversial use of symbols, and military service kept them away from performing until June of 1981. Laibach first played Ljubljana in January of 1982, and the Ljubljana-Zagreb-Beograd collection captures some the group's performances from this time from ca**ettes sold at shows. The Laibach/Last Few Days ca**ette from 1983 was the group's first proper release, and ca**ettes from labels like Staal Tapes and Skuk followed. Milan Fras joined as vocalist, and his distinctive growl and grim stare still makes him the group's most recognizable member. An appearance on Yugoslavian TV with shaved heads and military attire provoked the state to issue a ban on the name Laibach in Ljubljana that was not lifted until 1987. br /br /Around the time of the EP Panorama/Die Liebe's release, a concert was planned and posters put up overnight with only Laibach's trademark cross representing the group. Both concert and poster are captured on December 21, 1984. Laibach soon joined the likeminded artist collective Irwin and theater group Scipion Nasice Sisters to form the organization Neue Slowenische Kunst, or NSK. NSK became involved in the group's concerts and Irwin's artwork would often be displayed at venues. The group's debut studio album, which also featured the cross only, was released in 1985 but was reissued in 1999 as Laibach. Baptism, from 1986, includes the group's soundtrack to the NSK stage production Baptism Under Triglav. Laibach's music had remained a challenging combination of military marches and tape loops that only fans of Throbbing Gristle, Nurse With Wound, and the like paid much attention to, but things were about to /br /Wax Trax! in America and Mute in the gave 1987's Opus Dei Laibach's first widely available release. Included were bizarre thumping cover versions of Queen's "One Vision" and one-hit wonder Opus' "Life Is Life," and videos of both were shown on MTV. A worldwide tour followed, and Laibach was invited by John Peel to do a Peel Session and Michael Clark commissioned the group to provide music for his dance company. The idea of covering pop music in Wagnerian style was expanded on 1988's Sympathy for the Devil EP, which included multiple versions of the Rolling Stones' cla**ic, and Let It Be, which reproduced the whole of the Beatles' album, minus the title track. Let It Be included a version of "Across the Universe," sung by fellow NSK members Germania, whose ethereal female vocals would show up on many later releases. Another world tour followed, and a bootleg video of a Dallas, TX, concert showed up on the short-lived Videophile label. The group's success caused various early recordings to be reissued, and 1990 saw Laibach return to more orchestral work with its soundtrack to a NSK production of Macbeth. br /br /Laibach celebrated the fall of the Berlin Wall with the "Oktober/Geburt Einer Nation" single, containing more of a techno slant and a remix credited to the mysterious Kraftbach. Released in 1992, Kapital fully embraced minimal techno and focused on the growth of capitalism in Eastern Europe. A world tour (with each member's skin painted silver) and more reissues followed. A return to the bombastic cover versions was heard on the war-focused NATO as the former Yugoslavia fell apart. The techno was left up to the new side project 300,000 and its debut, Also Sprach Johann Paul II. The NATO world tour was documented on the limited-edition CD and video box set Occupied Europe NATO in 1996, the same year the band released the religious-themed and cover version-filled Jesus Christ Superstars. That album's live show toured the world on and off up until the release of 2003's WAT, a return to techno and the band's first pop album to contain primarily self-penned material in a while. ~ David Jeffries, All Music Guide There are crowds in the streets They are crying to be heard I hear echoes of voices I hear echoes of voices They are trying so hard But the ears are kept shut Trying so hard But the ears are kept shut Trying so hard But the ears are kept shut I see millions of hands They are raised to the sky I see visions of outrage I see visions of outrage Europe is falling apart Europe is falling apart Europe is falling apart Europe is falling apart Europe is falling Apart In the absence of war We are questioning peace In the absence of god We all pray to police Oceans of people Oceans of souls Oceans of people Oceans of souls Add your thoughts Log in now to tell us what you think this song means. Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise! Only one day is left only one day we are leaving the others we're going away Today we all steal animals we are possession is lost Our souls are from the wild and wings to reach the sky let the sun fall into the ocean, let the earth erupt in flame It is enough to have the strength and knowledge to raise our dream machines into the sky Let them sleep who do not know the final day is here the very last and we leave at dawn Millions of machines on nitroglycerin Thunder in us There is no force no money and no power To stop us now and change our fate Before we rise Now every problem is destroyed We raise our hands and bodies to the peak Into the Universe - towards the stars we go Sending machines up to the sky [Chorus] Machines we are sending to the skies Above us all And leave behind those who don't know Of the final day We leave in sleep those who don't know (and) we leave at dawn We are driven by the B-machine (Wild B-machine - that never stops) Add your thoughts Log in now to tell us what you think this song means. Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise! Laibach is a Slovenian avant-garde music group strongly associated with industrial, martial, and neo-classical musical styles. Laibach formed June 1, 1980 in Trbovlje, Slovenia (then Yugoslavia). Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, is known for their cover versions, which are often used to subvert the original message or intention of the song — a notable example being their version of the song "Live is Life" by Opus, an Austrian arena rock band. In this example, Laibach recorded two new interpretations of the song, which they titled Leben Heißt Leben, and Opus Dei. The first of these two interpretations was the opening song on the Laibach album Opus Dei (1987), and was sung in German.

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